"Netart is not dead. It just smells funny."
OLDNEWS!
o
| _bri o---+
|
|
+---->o AR(t)CHIVES
| netart - digital archaeology /
|
|
+-----+
| |
| +--------(~)Sonifications ------------------+
| | | Affective Cartographies o---+---+ | o Liverpool [2014] | 1998 - ongoing | | | o Bahía de Todos Os Santos [2016] | | | | o Montevideo [2018/2019] | | | | o Estrecho de Magallanes [2017/2018] |
| | | | | | | o Palacio Salvo [2015] | | | | o Sonificación de los índices de |
| | | contaminación cuenca Santa Lucía [2019] |
| | | o Medellin [2019] |
| | | |
| | | |
islasonora.org o----------+---|-----|-------------------------------------------+ | |
| | | +---->o [mundo>·<interior] [2019] >---------+
| | | | | |
| +-------> Conservation/Preservation >-------+
| | of netart |
| | |
| | |
LIVE A/V o--------------+-------+ | *.GIF /S /BACKUP! V2.3, 2019 o---------+
| | |
| | |
//cinematik | | 2017 Restoration of o--------------+
PINGPONG VISUAL 2018 o--+ | Mariela Yeregui's site Epithelia, 1999 |
We <3 Delia! | |
| |
+-----o 2017 Restoration of some of o-------+
| the netart works by @mp (1997-2000) |
| |
| |
| NETWORK 1.0 o------->-------+
La Máquina Podrida o-------+ retrospectiva soundtoys |
[la máquina podrida v2] | 2017 |
OCT.2015 | |
| |
| BACKUP! 1.0 o----->------+
netart latino screens 2008 o----------+ [la máquina podrida v3] | | Abril 21, 2017 |
| |
| |
| |
2002-2018 / TEMPORAL DE SANTA ROSA |
|
..........., |
.MMMMMMMMMMF |
` ` ` ` ` ` ` ` ` ` ` ` ` ` `.MMMMMMMMMMD ` ` ` ` ` ` ` |
.MMMMMMMMMM3 |
JMMMMMMMMM^ |
` ` ` ` ` ` ` ` ` ` ..... .MMMMMMMMM! ` ` ` ` ` ` ` ` |
` .gMMMMMMF.MMMMMMMM#`........ ` |
..gMMMMMMNgdMMMMMMMMF.MMMMMMMM@ JMMMMMMMMMNJ, |
` ` .MMMMMMMMMMMMMMMMMMMM`JMMMMMMMF.dMMMMMMMMMMMMMN, ` ` ` |
.MMMMMMMMMMMMMMMMMMMMM^.MMMMMMMD.MMMMMMMMMMMMMMMMMN, |
dMMMMMMMMMMMMMMMMMMMMF.MMMMMMMt.MMMMMMMMMMMMMMMMMMMN, ` |
` .MMMMMMMMMMMMMMMMMMMM@ MMMMMMM^.MMMMMMMMMMMMMMMMMMMMMb |
`dMMMMMMMMMMMMMMMMMMMM`JMMMMMM'.MMMMMMMY"=` .dMMMMMMMMF ` |
MMMMMMMMMMMMMMMMMMMM\.MMMMM#`.MMB"!...gMM^.MMMMMMMMM#` |
JMMMMMMMMMMMMMMMMMMF.MMMMM# ..JNMMMMMM@ JMMMMMMMMMMa. ` |
` ?MMMMMMMMMMMMMMMM@ dMMMMMMMMMMMMMMMMM$.MMMMMMMMMMMMMMp` |
` TMMMMMMMMMMMMMM`JMMMMMMMMMMMMMMMM#'.MMMMMMMMMMMMMMMMb |
.+MMMMMMMMMMMMMM%.MMMMMY""`., dMMMF.JMMMMMMMMMMMMMMMMMN |
.MMMMMMMMMMMMMMMF T"^...gMMMF dMMM=.MMMMMMMMMMMMMMMMMMM# |
` `MMMMMMMMMMMMMMMMJ.gMMMMMMMMF.dMM#`.MMMMMMMMMMMMMMMMMMMM' |
WMMMMMMMMMMMMMMMMMMMMMMMMMF.dMMD.dMMMMMMMMMMMMMMMMMMMM' |
WMMMMMMMMMMMMMMMMMMMMMMMF.MMM^.MMMMMMMMMMMMMMMMMMMM" |
` ?MMMMMMMMMMMMMMMMMMMMMF.MM@ JMMMMMMMMMMMMMMMMMM#= |
` .TMMMMMMMMMMMMMMMMMF.MM$.MMMMMMMMMMMMMMMMM9^ |
?THMMMMMMMMB^ !.M#'.MMMMMMMMMMM" ` |
.MF ?WMMMMMM""^ |
` .M= |
` .#` |
` ` ` .Y |
` .^ |
` ^ |
` | ` ` |
| |
| |
+-----+--+---< Conservation/Preservation <--------+
| | | of netart
netart latino database o---+ | |
the book [2010] | | |
| | |
+-------<----------------------------------+ | |
| | | |
| | | |
| | | +----+----o La Máquina Podrida
| no-content.net o-----+-----+ | | 2010 MEIAC[Spain]
| artist book [2002] | | |
| | | |
| | +----+----o book 2010
| [ no-content.net/vintage/collection/ ] o-----+ |
| 2003 | |
| +--+---o < artef@ctos virtuales >
| | Retrospectiva Museo Tamayo
| |
| BATALLA DE TITANES o---------+
| __`v.. _,._ |
| ,` |\|| ,^--._^' |
| ,' '`-- ' /' [ \ |
| / .' Po' L.- | | |
| / | '... '` `. |
| / | ,x==.. ,' |
| / | ,, _/'| |
| \ ,- -\_,.._ b` |`. |
| <[.''-'` _-.,.,.. | '. `.L|
| `-. ' _, ``,' \ ' -.,|`-..
| -. - - `. ' _ | \
| ----> GLOCAL CYBERWRESTLING ASSOCIATION ----+----------->
| '`''|. `. ''__ - ' |, \
| \ . . ,'.L._,, | `,, \
| |
| |
| |
| |
| +------o [1996-2008] SOUNDTOYS REMIXED
| |
| |
| |
| Plataforma Soundtoys 2006 o---------------|
| 34s56w.org |
| |
| +------o Artistas Latinos Making Global Art
| | Laura Baigorri - ed. 2006 revisada
| |
+---+ |
|
| +-----o (((· LIVING STEREO ·)))
| | > concert_gui <
| | [spanish tour 2006]
| |
| | |
| +------------------+----------------+
| | |
| | |
| | |
| | |
+---+--------+---------------+ +-----o SoundCode.Sketches/2005 --------------+
| | | [pack#02] |
| | | |
| [2000-2005] +-------------------+ |
| o | | |
| | | | +----+---o evrugo/soundtoy |
+------------|---------------+ | | | |
| | | | |
| | | +---o dongn [2000] |
| | | |
| | | |
| +-----o SoundCode.Sketches/2005 --------------+
| | | [pack#01]
| | |
| | |
| +--+-----o das is kultur! [revisited]
| bjzACT! o-----------+ | [soundtoy]
| [city/visual-sound.workshop] | |
| +----+--+------+
| | |
| software art o-----+ workshops +----o soundtoys [wrkshp.txt]
| [conf.txt] | conferencias |
| +-+--+--+------+
| | | |
| netart o---------+ | |
| \ +----- chamanic interferences v2005 o-------+
| \| [ zona de ocurrencia ] |
| \ |
| <netart.org.uy> |\ |
| 2004_eurolatino tour | \ interviews o----------------------+
| o | \ | |
| | | \ | |
| +-------------------+----\------o suramerica electronica/2005 | |
+---------------+ \ v |
| \ 2 |
update2005---> [34s56w.org] | \ 0 |
o | [ vrubri´s cultivuum ] \ 0 |
\ | o o <---[ browser-art/v2004 5 |
| | | | [article] | |
| | | | | |
subasta!]---> o-----+---+ | | | |
[la máquina podrida] | \ | | |
[may2004] \ \ | +----------------------+ |
| | | | |
| | +----o <---+ [ chamanic interferences ] |
| | | interferencias chamánicas |
o<---------+--+---[rndm_art +----------+ [soundtoys_CD-ROM/2004] |
| | | |
+--+-----+-----------o | |
| [ no-content.net ] +---------------o [ brian / cv ] <-------+
infomera ]---> o<-------------+ |
[spam_version] +--------------------------+-----------+
| |
| +-----------o
o---------------+ n e t a r t . o r g . u y | > wartime < project
[ objetos encontrados ] | |
[1998/99] | |
+--+-----o<---[ artef@ctos virtuales +---------------+
| [1997-2002] | |
+----------------------+ | |
| | | |
+---o JODI n CODER +---+-----o o |
| | sound_toys frontera_incierta |
| o---------------+ [1997-2001] [2001] o
| ciberduelo! | interfaces_02
| [2003] +-------------+---+-------o [2002]
| | | | fotos![updating]
| o | |
o u 2003 | +--------------------o
[ Dick el demasiado ] [haro.ar - mackern.uy] | XTCS || S/N RATIO
webclip! [2003] | [34s56w]Temporal de Santa Rosa
|
|
+-----------o
#FFFFFF NOISE / ta0 surgery ] o-------------+ [ retronik/soundtoy ]
[soundtoy] | digi - archaeological reconstruction
|
|
o--------------------------+-----+ +--------o [ hazard! ]4ud10-pr0t3ct10n//1997
[ no-content.net/vintage/collection/ ] | |
[ repository ] | |
| |
+-----------+-----o electromuestra bcn [e-flyer]
| |
money-spam!---> o------------+ |
| |
+------+----+-----------o [ enero deslumerado ]
| lagreca.uy-mackern.uy
| [soundtoy]
net.art.origin o------------+
trad:brian mackern |
[1998/99] |
+-----o interferences [2000]
|
|
[ error#2 ]o------+
403/404 |
|
o
[ error#1 ]
no-content.net/spam version
|
|
|
|
|
o < artef@ctos virtuales > 1996-2000
1996 brian mackern / brian mckern
"Be not afraid, the isle is full of noises." The Tempest / Act 3, Scene II William Shakespeare
1996 brian mackern / brian mckern
+--> [.uy / my_place]
|
|
| |_·_
| ·| ···_
| ·_·
| ·· ···_
| |···· _·
+---->o· _·
·|·· ··
· ·_· ··
· · ·__····_
· ··· ·· _
· _· | ··
·| _|··_···
_· ··· ··
····· ·|·· _
······· ·· ·|
|·· ··|·· __·· ·
········ _···
··______· __·······
_·_····| ··|_··· ··| ·
_ ··· · ···_
··· _·
··· · ·__
[·] ··_·__
_bri
[net.archaeologist - latin america division]
|
|